tunes.
so, you think you're some sort of musician, huh?
well, in a word, yes, i do.
you got anything that you can back that up with?
hey, that's a fair question.
one thing that makes me a little unique, i guess, is that i seem to really dislike being tied down to just one musical style. i play in a bluegrass band, my solo acts (which are described below) are, well, difficult to describe, and i've gotten some other types of music recorded and performed.
one thing that makes me a little unique, i guess, is that i seem to really dislike being tied down to just one musical style. i play in a bluegrass band, my solo acts (which are described below) are, well, difficult to describe, and i've gotten some other types of music recorded and performed.
bluegrass?
my band is called 'the harmony creek string band.' i'm working on creating a page for us. let me know if you are in urgent
need of a bluegrass band in the central missouri region. mostly, we work for food.
you do solo stuff, too?
yeah. i play hammered dulcimer pretty well, and do so at least once a month at the artisan, for lunch.
i have always felt that the relaxing sound of a hammered dulcimer helps digestion and stimulates critical thinking.
but i do other solo stuff, too, and that's where it gets a little more interesting. first, a story.
should i be scrolling down below this part?
yeah, probably.
alright, so, i took the couple of years that everyone took. i was in the early grade-school years at the time. i had no desire to focus or put in the effort that is required when one cares to be a quality pianist, and accordingly, i quit. more correctly, i was quit by my folks--i think they were just tired of putting up with my lack of practice. again, this is a normal tale repeated across the country in countless households. (it probably takes place in other countries, too, but i wouldn't know about that.)
anyway, i sang in choirs and stuff, and my junior year in high school, some time after a very brief flirtation with electric bass, i got an acoustic guitar. i learned it without really taking any lessons, and started leading worship for a high school group i was a part of (k-life of columbia). went to college, and quickly realized that there would always be a better guitar player than me (in my case, josh shive and jason herbig). a nice thing, though, was that these two individuals, as well as some other absurdly talented musicians allowed me to play with them.
so the point of that part of the story is that i was motivated to expand horizontally, instead of vertically. i figured, 'hey, if i'm never going to be the best guitar player, maybe i can be the best guitar player/mandolin player.' well, i tried that, and got sort of good at mandolin, then started playing hammered dulcimer (thanks to the absurdly gifted ben shive, and the uber-talented ross cowart), then dobro, then bouzouki, then penny whistle, accordion, harmonica, bass, and whatever else was laying around. singing, too.
alright, so, i took the couple of years that everyone took. i was in the early grade-school years at the time. i had no desire to focus or put in the effort that is required when one cares to be a quality pianist, and accordingly, i quit. more correctly, i was quit by my folks--i think they were just tired of putting up with my lack of practice. again, this is a normal tale repeated across the country in countless households. (it probably takes place in other countries, too, but i wouldn't know about that.)
anyway, i sang in choirs and stuff, and my junior year in high school, some time after a very brief flirtation with electric bass, i got an acoustic guitar. i learned it without really taking any lessons, and started leading worship for a high school group i was a part of (k-life of columbia). went to college, and quickly realized that there would always be a better guitar player than me (in my case, josh shive and jason herbig). a nice thing, though, was that these two individuals, as well as some other absurdly talented musicians allowed me to play with them.
so the point of that part of the story is that i was motivated to expand horizontally, instead of vertically. i figured, 'hey, if i'm never going to be the best guitar player, maybe i can be the best guitar player/mandolin player.' well, i tried that, and got sort of good at mandolin, then started playing hammered dulcimer (thanks to the absurdly gifted ben shive, and the uber-talented ross cowart), then dobro, then bouzouki, then penny whistle, accordion, harmonica, bass, and whatever else was laying around. singing, too.
so what does this have to do with your live shows?
i bought a boomerang. i then run a bunch of mics and instruments into it, and it records
me, there in person, and then i go about building a tune. and, if i successfully stay in tune, then everyone wins and has a nice time.
ah, i see. so, you busy for my cousin's wedding reception?
probably not. and i still come cheap, 'cause i'm not famous.
other stuff?
well, to make a long story short, we have these things called encounter services at my youth group. very basically, they are just
dedicated worship services of an hour or so long, designed to strip away all the other parts of a 'worship service,' and leave, well,
only the worship, mostly through music, but through whatever else is appropriate, too. being a creature of choirs all through my life,
i always put some gentle, choral music on (barber's agnus dei, golovanov's otche nash, biebl's ave maria, purcell's
hear my prayer, o lord, lauridsen's o, magnum mysterium, that sort of thing). anyway, i thought that was a very
worshipful way to start a service, but after a few of these, my youth pastor respectfully said "um, do you have anything else there?"
so, i said, "hey, i wonder if i could make some ambient techno." so, i did. it's all over on this page.
so, i said, "hey, i wonder if i could make some ambient techno." so, i did. it's all over on this page.
downloads.
i've got a page for music downloads, and as long as i stay unpopular, they'll be there for the taking.
solo shows.
this was a concert i put on at the cherry street artisan, a lovely little
coffee shop in downtown columbia, missouri, back on 21 august, 2004. it was fun.
ambient worshiptechno.
check here for an ever-growing list of worshipful techno type stuff. i made it to play before a worship service, to sort of set
the introspective, calm mood we were looking for. not suitable for raves. it's over here.
other techno.
this is a long story. i tell it.